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From backup to center stage (and back again)…


Once upon a time in a land far, far away a super duo was born.  


Before Kingston & GreyStarr, there was Amy & Barbara; every bit as awesome, but not yet united. Their combined superpowers had yet to activate. 


The Big Bang of the Glitterverse commenced the way many epic east coast rock and roll tales do … with a phone call from Keith Roth. 


You see, rock legend Punky Meadows needed a backup singer, like yesterday…. Punky’s vocalist Jessie Wagner got a last minute call to join Lenny Kravitz on tour… and when Lenny calls…you pack your bags and go! 



Barbara was on break from unicorn wrangling when she picked up the phone: 


“Keith called and said “Hey we have this cool project we’re working on, Punky Meadows from the band Angel is putting out an album and needs a backup singer… are you interested?

He doesn’t tell me there’s a gig within the week!” 


Barbara’s future counterpart Amy was one lone wolf behind the mic, unaware of her future bestie’s existence. After all, they were from two separate galaxies…

Brooklyn and New Jersey! 


“Me and Amy do not know each other yet… I’m in a panic because I have seven days to learn fifteen songs. I’m listening to the music over and over again….”


After picking out the lower chorus harmony to “Straight Shooter” for the twenty seventh time, Barbara’s fears were laid to rest with a solitary ping of a cell phone. 



“This guardian angel named Amy messages me: ‘I’m going to send you vocal notes for your back up parts.’ So I keep getting these text messages- it’s Amy who I still haven’t met… she did that for every song - her part and my part - so I would know the difference between the two. So when I arrived at Bob Pantella’s studio for the first rehearsal, I couldn’t wait to give her this huge hug ... because she saved my ass!”


At this point Barbara and Amy are just trying to get through the first rehearsal, unaware of the intergalactic rocket ride to SLAY-Town that lie ahead. 


Now let’s hear it from Amy’s perspective - (insert iconic British accent here):


“I have just sent this random woman hundreds of voice memos of me crouched in my little apartment at midnight whispering bizarre harmonies which make me sound like I’m fucking Mary Poppins, because you can’t belt in your apartment at midnight, you will be thrown out. She looked so cool. She ran up to me and gave me this huge hug and exclaimed ‘Thank you!’ We went upstairs and she nailed every part. We sang seamlessly together. We started doing all our step touches without doing having any conversation about it… we were just in synch! It was perfect!"


Also Punky is an icon and he looks absolutely perfect…DRIPPING in turquoise jewelry. We literally just met in the parking lot…Couldn’t be more nervous…Then Punky looks at us and says “you girls sound really great”. “


A sigh of relief was heard all around Keyport, New Jersey, and a  power duo was born.  


After the show at The Trocodero in Philadelphia (RIP), it was on like Donkey Kong…a last minute frantic replacement for a gig lead to a well rehearsed tour. 



“We really developed as a duo on the road. The fans took a liking to us together…that’s when drummer Bob Pantella said ‘You girls need stage names…you can’t be Barbara and Amy…you’re a thing now!”. 


Bob took one look at Barbara dressed in grey with a star on her cheek and proclaimed, “I shall call you GreyStarr”.  Amy’s “new” name was even more straightforward: Kingston was her middle name. 


Kingston & GreyStarr was born! 


“After we became Kingston & GreyStarr people really started noticing our synergy, especially Diana - who was tour managing the Punky Meadows tour.  The next thing she asked us to do was the Eric Martin gig (of Mr. Big). 


"We met Eric the day of the gig. After nailing the iconic “To Be With You” chorus, Eric took one look at us and said, 'What did you say your names were?

KingStone and AppleJar?' He was hilarious.

By the end of the night we were all friends and laughing up a storm."



Turns out the Punky Meadows tour was the gift that kept on giving…in the form of more backup singing jobs!  


“Charlie, the keyboard player from Punky’s band, knew DD Verni (of Overkill) was asking around for backup singers for his new project and Charlie recommended us. Keith Roth called again, but this time for his own project Frankenstein 3000 - which involved a mini tour as a support band for Pete International Airport - the side project with guitarist Pete Holmström from the Dandy Warhols.  That’s when we became Keith’s backup singers for life” 


But it didn’t end there… Kieth had Kingston & Greystarr on speed dial at this point! This time with the supergroup studio album “Glamdemic” by Space Panther- consisting of Kieth Roth (Bass), Bob Pantella (drums) and frontman Bobby Acid with K&G on the mighty backup vox!




Somewhere between Punky Meadow’s tour and DD’s album, the girls knew they wanted to form a pop-rock group. Barbara still had some gigs with Lavender Steel - an eighties-centric cover band that celebrated the heavier side of the decade. This project was winding down, but she invited Amy to cross the Lavender finish line in the form of a Van Halen themed bar mitzvah.


 “It all centered around Van Halen so we called it the Van Mitzvah. We figured ‘let’s just do it as us and see how it goes’. It was incredible to have the two of us center stage…  we knew we could go even deeper musically with originals and unique interpretations of songs we love!” 


While loading out the gear from the Van Mitzvah - a new rock and roll dream was born - the way many rock and dreams come to life - with an official pep talk from Kieth Roth. 


He said “I really think you guys should do this. You should try and go in the way you’re going- follow your fucking dreams. That’s where they’re leading you” 


Their dreams started with a music video for the underrated INXS song “Don’t Change”- which led to interpretations of “Psycho Killer”, “Just What I Needed” and “Big Balls”. 



 “At that time we were going to do a full record. And the initial idea was that there was going to be like Janus the God at the start of the year where he has two faces: One is looking back into the past and one is looking forward into the future. We were going to do interpretations of bands and artists who had inspired us and then write responses in our new music. We went in and did the covers…which is where we developed our sound via those interpretations. We also recorded Suffragette City for a David Bowie tribute album on Main Man Records." 


Then Covid hit, so it was split into two EPs.



Amy: “So then we had the idea of ‘instead of standing here like frozen fish until the end of time, why don’t we put this out at an EP? We got it all mixed and mastered and Covered In Glitter was born during the lockdowns’. 


The next EP, Back to the Glitterverse, came after the world opened up again…including new interpretations of Blur’s “Song 2”, Depeche Mode’s “Nothing” and three original songs: Parking Lot, Love Bomb and Stop Stalking Me Moby. Parking Lot dealt with themes of loss, Love Bomb was anthem of shutting down dudes who try way too hard at the beginning and Stop Stalking Me Moby was about…well running into Moby a lot. 


Amy:  “Barbara was so excited about Stop Stalking Me Moby - it was NOT what I was expecting. I loved the EDM-ness of it and how quirky it was.  I couldn’t believe the song existed. I had these friends who ran into Moby all the time- they’d run into him at TEANY constantly. I started hearing from more people about Moby sightings… it was a thing. And with GreyStarr’s updated verse paying homage to TEANY, it was perfection.” 


And while Kingston & GreyStarr continue to forge ahead with their own sound - they still balance it all by lending their vocals to other projects…



“We’re working with DD on his new album. We’re going back into the world of rock and roll swing music, and we even sang on an entire as of yet unreleased prog rock record with Dave from The Ronald Reagans!” 


Want Kingston & GreyStarr to sing on YOUR project? Feel free to drop them a line or check out their new page on Vocalizr.  Kingston & GreyStarr are going international- and can now work with anyone from around the globe! 


Here at The Gob we aim to amplify - and signal boost - all things that kick ass in the musical sphere. So when a friend (or a friend of a friend) makes noise, we shout it from the rooftops, and crank it to 11!  



We’ve individually had the honor of hosting Devon Thompson on her East Coast tour…Brooklyn and Jersey represent!  We can’t WAIT to see her again but until then…we’re just going to have to head over to the March Gibson Spotify Playlist.


Her vibe is so badass and Devon is serious about her craft. She’s not afraid to go to the dark side…with her emotional vocals, songwriting and glorious guitar work. 



After listening to Devon’s new single “Poison Me” on the Gibson playlist, come meet us in the comments section over on the Gibson Gram! Here is what Devon herself has to say about the haunting track: 

“It’s a play on the classic Snow White take, but we twisted it… I modified the story in which Snow White actually WANTED to bite that apple. All she wants is eternal peace, a dreamless slumber in the concept of time. There she will be happy where no-one is bothering her."

On the Gibson Instagram, Devon is featured alongside Zach Person. We don’t know this Zach Person person (yet), but we know he’s in good company - so he must be awesome. 


While playlists are great, the live thing is so much better! Catch Devon on 3/28 at the Gibson Artists Showcase where she will be playing songs off her upcoming EP Skin, produced by James Salter (The Raveonettes, Black Rebel Motorcycle Club). 


Want to delve into a Devon Thompson discography deep dive?  There’s no wrong place to start…but we love “Soft Like Water”.

Thank us later. 


Want to nominate your favorite artist for Friend of the Gob?  Tweet us on X at @glitterverse911 or leave us a comment on Instagram @kingstonandgreystarr



Updated: Apr 23

In pre-historic times, if we wanted to hear our favorite tune- we turned on the radio- or MTV! 


But to listen to that special song on demand, we had to put the needle to the record. We did what anyone in madly in love would do: 


We marched forty miles barefoot in the snow to buy that album! 


Smitten with the hit single, we came for THAT SONG but left with the keys to the journey: the album art, deep cuts, liner notes and dedications.  


These artists would sing to us about love.  But like a trip to the record store- we learned love is so much more than a singular destination. It has twists and turns.



Love, it turns out, has many genres.  Even sub-genres! 


In celebration of Valentine’s Day, we asked the Glitterverse “What is YOUR favorite song about love?” 


We asked this innocent question- with intentions of creating a fun 14 song playlist.  What we weren’t prepared for however, was the MASSIVE response. Legend has it, there’s a spread sheet of your replies floating around. The collective outcry of the Glitterverse was that epic. 


Here is what we learned: Love songs are so much more than fairy tale romance: Angry love. Self love. Unrequited Love. Love in an Elevator. 


After days of deliberations, spread sheets, debates and dissertations we curated not one- but three playlists! 


Yes, it was that deep. 



Some songs you may already ready know like the back of your hand… others are from musicians you should know.  The beauty of love is there are infinite ways to express it- or say it- with a song. 


Here are some highlights from our trilogy of playlists. Happy Valentine’s Day! 


Playlist: Love Love

Subgenre: Unconditional Love 


The title track to The Eels 1996 debut album serves as an ode to the unconventional - with sparse melancholic melodies and a simple, yet sincere two word hook: beautiful freak. This is a Kingston pick!  “It speaks to the uniqueness of people and loving the things that are different, specific and unusual…that in the status quo may be called freakish, or eccentric or wrong- but it’s just so beautiful that he’s literally saying ‘these are the reasons why I love you’”. 


Playlist: Sexy Love 

Subgenre: Interpretive Love 


While a rendezvous under the Milky Way sounds romantic - Steve Kilbey insists that the lyrics are completely open for interpretation. “It’s a blank, abstract canvas for people to lose themselves in”. Just like love itself, the song can be personalized to the listener’s experience. What ever you think about the song, you’re right! This is a GreyStarr pick! 


Playlist: Anti Love 

Subgenre: “No, thank you” Love


Much has been said about “Love Bombing” as of late… it rarely leads to anything good! Says Barbara Serbes “Love Bomb is a song about repelling people who are trying too hard to impress”. “Don’t Hit Me with Your Love Bomb” is more than just a lyric, it is a mantra that should be required reading before anyone enters the dating world. Just say no to Love Bombers everywhere. Keep those guards up and stay vigilant! 



Playlist: Love Love

Subgenre: Committed Love 


The Holy Grail of romantic love songs! Affairs of the heart explores themes of love we all dream of: loyalty, respect, faithfulness and above all staying committed in the eye of the storm. Damien sings of a connection that the trappings of stardom could never compete with: “When the tour bus drop off…and all light lock off and I’m a mere mortal again, promoter belly full and all the fans gone home, I’m glad that you're more than a friend”. Shoutout to Marco G for nominating a song that should set the standard for committed relationships! 


Playlist: Love Love 

Subgenre: Celestial Higher Self Love


At first glance this song can be seen as a lover pleading for their partner to go “all in”, yet the artist is self-critical from the point of view of a higher self. They know they have more to give, so the higher self calls them to be all in on this life that has been given, to God, for loved ones. 


Playlist: Anti Love

Sub genre: Struggle Love 


Thank you James Morningstar, for nominating this gem! Alongside a shimmying dance break felt around the world, “Love is a Battlefield” touches on the darker, deeper and gnarlier side of love. Using the battlefield as a metaphor- the surrendering, begging and never ending “Stay/Go” dynamic. We’ve all been there! 


Playlist: Sexy Love 

Subgenre: Forbidden Love 


Society may wrongfully deem some unworthy of love due to promiscuity- Love in a Trash Can embraces it, cherishes it with an echoing mantra of “Come on Baby Your My Best Pick”. The song is surfy and sleazy in all the right places. Thank you to Crystal Gerard for turning us on to this sexy, gritty masterpiece. 


Playlist: Love Love 

Subgenre: Self Love 


Opening with a stunning operatic interlude, My How You’ve Grown is the ultimate ode to the self- with a nod to Meghan’s roots as an opera singer. “My how you’ve grown is the ultimate love song to myself. It is really hard for me to open up and be vulnerable about how proud I am of what I have accomplished but I feel with this song I really got to open up and say ‘You know what Meghan? You really have grown up and that’s a beautiful thing”. 

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